Business Communication for Academic and Professional Integrity

Question: Discuss about theBusiness Communication for Academic and Professional Integrity. Answer: Concept and Practice of Academic and Professional Integrity Academic integrity can be defined as the maintenance of responsibility and honesty in the academic field. Professional integrity means that an individual shall operate in an ethical manner regardless of the situation. The concept of Academic and Professional Integrity is to respect the rights of other scholars, avoiding actions that give undue advantage over others. In my understanding, academic integrity enables a person to develop professional skills and values that are sought by most employers. Before starting this unit, I was only aware of the fact that academic integrity is simply citing and acknowledging others work. However, after starting the unit, I came to an understanding that academic and professional integrity has a vast scope. Apart from acknowledging others work, it also involves supporting others in their effort. The necessary legal and regulatory obligations must be complied with (Manly, Leonard and Riemenschneider 2015). I shall practice academic integrity at AIH in the following ways: I shall avoid plagiarism by not copying more than two words in a row in the text found. I shall acknowledge the work of other scholars and researchers by citing the text written for the assignments. I shall develop my own arguments and evaluation from academic content by note-taking and reading. Therefore, academic and professional integrity is of great importance and must be followed at all levels. Unethical and unlawful conduct must be avoided under all circumstances. It shall help in building mutual respect and trust amongst the academic practitioners (Lfstrm et al. 2015). References Lfstrm, E., Trotman, T., Furnari, M. and Shephard, K., 2015. Who teaches academic integrity and how do they teach it?.Higher Education,69(3), pp.435-448. Manly, T.S., Leonard, L.N. and Riemenschneider, C.K., 2015. Academic integrity in the information age: Virtues of respect and responsibility.Journal of Business Ethics,127(3), pp.579-590.

Intercultural Communication in Global Business †MyAssignmenthelp

Question: Discuss about the Intercultural Communication in Global Business. Answer: Introduction: Intercultural communication can be defined as the kind of communication by means of which the people or individuals from various diverse cultural backgrounds communicate with each other (Carbaugh 2013). It is significant to note that during the conduct of business the various business organizations often come a situation when they need to conduct with people or business organizations belonging to various diverse cultural or ethical backgrounds (Washington, Okoro and Thomas 2012). It is precisely here that the process of intercultural communication becomes very significant. The advent of globalization and the growth of trade and commerce across the frontiers of the different nations have made the process of intercultural communication one of the primary tools which the various business organizations often take the help of in order to effectively conduct their business across the different nations (Neuliep 2012). It is significant to note that the various business organizations when co nducting business with the various individuals or business organizations with people or business organizations from various other nations need to make certain adaptations regarding the way they communicate and behave with others in a bid to effectively conduct their business with the business organizations or people belonging to other business organizations or people belonging to other nations (Washington, Okoro and Thomas 2012). This essay intends to analyze the process of intercultural communication and its various related precepts. Mary is an Australian who hails from a family which has always in love with food and the food industry. Her mother and other family members from the early phases of their lives had been in love with food and the food industry and they even used to prepare foods and present them as gifts to their relatives as well as friends. Therefore, it was quiet natural for Mary to develop that love for food and food industry. Thus, when she grew up she opened her own small business which specializes in the manufacture a variety of condiments. It is significant to note that The Aroma Shop and a small factory in Wagga Wagga and the specialty of which is that they do not take the use of artificial preservatives for the preparation of the food item. In addition to that, the small business of Mary provides a range of products to the customers like chilli sauces, pastes, chutneys and jams. The business of Mary is doing reasonably good in the nation of Australia however following the path of globalizati on she now wants to expand her business in the nation of China and for the achievement of this particular purpose she has arranged for an official meeting with Mr. Lau, a Chinese business around 55 years old. It is significant to note that Mary is confused as regards the approach she should take regarding the meeting with Mr. Lau as she has never conducted any business dealings with the Chinese people but knows that their culture as well as way of conducting business is drastically different from the approach followed by the Australian people. The culture as well as the way of conducting the business of the Chinese people is starkly different from the way of the other nations as well as the other cultures (House 2014). A cultural graph of the nation of China as per the Hofstedes Models of Culture would reveal the following facts The above figure clearly indicates that the Chinese people like to indulge in group activities instead of individual work which is clearly shown by the lower level of individualism on the graph. Furthermore, the masculinity section of the graph is moderate which means that the Chinese people are likely to more driven by the concepts of competition, success as well as achievement which as a matter of fact forms the core values of all their business organizations (Hofstede Insights 2018). Moreover, the high score on the power distance section indicates that not all people in the nation of China are equal and there is a division of power in the society of China as per the ranks and the position held by them (Hofstede Insights 2018). The lower score on the uncertainty avoidance section is an indicative of the fact that the Chinese people use ambiguous and that the words or the language used by them have a different connotation than their surface meaning (Hofstede Insights 2018). The high score on the long-term orientation is an indicative of the fact that the Chinese culture is a very pragmatic one and the people in the society believe that truth depends very much on situation, context and time(Hofstede Insights 2018). Lastly, the considerably low score on the indulgence section is an indicative of the fact that the society of China is a very restrained one and the people in the nation of China have a tendency to cynicism and pessimism and display a controlled gratification of their desires (Hofstede Insights 2018). Mary hails from the nation of Australia and the culture as well as the way of transacting the business in the nation of Australia is slightly different from the other nations of the world. A cultural analysis of the nation of Australia as per the Hofstedes Model of Culture is represented. The above figure clearly that the power distance in the society of Australia is very low whereas the individualism in the society is very high (Hofstede Insights 2018). Furthermore, the masculinity of the Australian people is also high just like the indulgence section (Hofstede Insights 2018). However, the uncertainty avoidance and the long-term orientation in the society of Australia are comparatively low (Hofstede Insights 2018). Therefore, from the above two graphs it becomes clear that the cultures of Australia and China are different from each and thus to make her meeting with the Chinese business Mr. Lau, Mary will have to make certain alterations in her approach as well as the way she has been conducting her business in the nation of Australia. The first alteration which she needs to make is the way she has been greeting her clients (Martin and Nakayama 2015). It is significant to note that the Australian people use very casual language for the purposes of greeting however the Chinese people on the other hand are very formal when it comes to greetings when conducting a business deal (Martin and Nakayama 2015). Furthermore, the individualism quotient of the people is high in comparison to the same in the nation of China. Therefore, she will have to focus more on the concept group of group rather than on individual work (Kankaanranta and Lu 2013). Furthermore, the power distance in the society of Australia is very low whereas the power distance in the society of China is very high. This implies that there is an unequal distribution of power in the society and therefore she will have to address as well as treat the people as per their ranks and power (Kankaanranta and Lu 2013). This is something which is starkly different from the culture and the society of Australia in which she is used to conducting her business (Kankaanranta and Lu 2013). Furthermore, the masculinity index of the society of China is higher than the masculinity index of Australia which means that she will to focus more on the various precepts of competition, success and achievement (Kankaanranta and Lu 2013). Moreover, the indulgence quotient of the society of China is very low in comparison to the same in the society of Australia (Kankaanranta and Lu 2013). Thus, she will have to take into account the restrained society and culture of China and approach Mr. Lau accordingly. The long-term orientation of the society of China is higher than that of Australia and thus she will have to adopt a pragmatic approach towards the meeting which she is intending to have with the Chinese businessman Mr. Lau (Kankaanranta and Lu 2013). These in short are some of the adaptations which Mary needs to take into consideration for her meeting with the Chinese businessman Mr. Lau which will enable her to expand her business in the nation of China. To conclude, it becomes evident that intercultural communication forms an important part of the entire process of communication and also the business operations of the various business organizations. It is significant to note that the various business organizations take the help of this particular kind of communication method to communicate in a more effective manner with the business organizations from different nations with diverse cultural backgrounds. The concept of intercultural communication gained popularity with the advent of the concept of globalization and is considered one of the most important precepts of the concepts of globalization. Therefore, to conduct their business effectively in the different nations of the world the various business organizations take the help of this particular kind of communication to effectively negotiate with the other business organizations in the nations with which they are trying to have business relationships. References Carbaugh, D. ed., 2013.Cultural communication and intercultural contact. Routledge. Hofstede Insights. 2018.Australia - Hofstede Insights. [online] Available at: https://www.hofstede-insights.com/country/australia/ [Accessed 10 Apr. 2018]. Hofstede Insights. 2018.China - Hofstede Insights. [online] Available at: https://www.hofstede-insights.com/country/china/ [Accessed 10 Apr. 2018]. House, J., 2014. Moving across languages and cultures in translation as intercultural communication. InTranslational action and intercultural communication(pp. 14-46). Routledge. Kankaanranta, A. and Lu, W., 2013. The evolution of English as the business lingua franca: Signs of convergence in Chinese and Finnish professional communication.Journal of Business and Technical Communication,27(3), pp.288-307. Martin, J.N. and Nakayama, T.K., 2015. Reconsidering intercultural (communication) competence in the workplace: A dialectical approach.Language and Intercultural Communication,15(1), pp.13-28. Neuliep, J.W., 2012. The relationship among intercultural communication apprehension, ethnocentrism, uncertainty reduction, and communication satisfaction during initial intercultural interaction: An extension of anxiety and uncertainty management (AUM) theory.Journal of Intercultural Communication Research,41(1), pp.1-16. Neuliep, J.W., 2017.Intercultural communication: A contextual approach. Sage Publications. Washington, M.C., Okoro, E.A. and Thomas, O., 2012. Intercultural communication in global business: An analysis of benefits and challenges.The International Business Economics Research Journal,11(2), p.217.

The Guitar Essay Example For Students

The Guitar Essay THE HISTORY OF THE GUITARThe guitar is a fretted, stringed instrument, and is a member of the lute family. It originated in Persia and reached Spain during the twelth-century, where it?s versatility as both a solo and accompanying instrument were established. The theory of the guitar was discovered in the early centuries. They found that the sound of a bowstring could be enhanced by attaching a resonating chamber -most like a tortiseshell- to the bow. From the bow came essentially three main types of stringed instruments: the Harp family, which was the sound of plucked strings indirectly transmitted to an attached sound box. The second was the Lyre family, which was strings of a fixed pitch are attached to the directly to a sound chamber. And the third was the Lute family, this was were the pitch of strings was altered by pressing them against a neck that is attached directly to a sound chamber. Within the Lute family came two groups. The lutes proper which had rounded backs and the guitar type instruments with their flat backs. Guitar-shaped instruments appear in stone bas-relief sculptures of the hittites in northern Syria and Asia Minor from as far back as 1350 B.C. We will write a custom essay on The Guitar specifically for you for only $16.38 $13.9/page Order now The word guitar also has origins in the middle and far east, deriving from gut, is the Arabic word for four, and tar, the Sanskrit word for string. The earliest European guitars did have four courses of gut strings. A 2course is a pair of strings tuned in unison. These early guitars were distinguished from lutes by body sides that curved inward to form a waist and by four courses of strings. Some but not all early guitars had a flat back, while lutes always had a flat back. In the Middle Ages and the Renaissance the lute was the dominant fretted instrument. The lute with was pear-shaped and had five or more courses of strings was generally regarded as a higher class of instrument. By 1546 the guitar had gained enough popularity to merit the publication of a book of guitar music. By this time guitars had added another course, and modern tuning had come into existence. Chord positions were the same as they are today. The frets of the early guitars were made of gut and tied around the n eck. This made placement of frets very difficult. The early guitars were also much shorter in length than todays guitars. The second most popular instrument during the Middle ages was the cittern. It was more like the modern guitar than any other during that time. It had metal strings, fixed frets, a fingerboard that extended onto the top, a flat back, and a movable bridge with strings anchored by a tailpiece; and it was played with a quill or plectrum(pick). But this modern instrument soon lost its popularity and disappeared by the late 1600?s. Through the 1600?s and 1700?s the guitar design changed very little, although interest increased around luthiers. In the 1770?s the first guitars with six single strings appeared, 3blowing the evolutionary lid off the instrument. Within the next few decades, numerous innovations followed: body waists became narrower and body bouts changed shape, becoming circular in northern Europe and more oval shaped in southern Europe. Inlaid frets of brass or ivory replaced the tied on gut frets and the neck was extended one full octave(12 frets) clear of the body. Metal tuners with machine heads began to replace friction pegs, and strings were anchored by bridge pins, replacing the method of tying strings to the bridge. By the 1820?s most of the fingerboard extended all the way to the soundhole. As rapidly as the guitar changed so did it?s acceptance. By the 1800?s the Lute had all but disappeared. One of the best known makers of this new-style of guitar was Johann Georg Staufer of Vienna. Staufer and another maker Johann Ertel in 1822 designed a fingerboard raised off the top of the guitar, and experimente d with different fret metals, settling on an alloy of brass,copper,silver, and arsenic. The first half of the 19th century was a time of great experimentation for the guitar. And many of the innovations that were credited to 20th century makers were actually tried a century earlier. Some of them included: The peghead with all six tuners on one side and scroll shape at the top, which is now common of the fender guitars was tried in the 1800?s by Staufer. Gibson came out with the raised 4fingerboard in 1922. Actually it was done exactly 100 years earlier by Staufer and Ertel. In 1988 Fender introduced a scalloped fingerboard on one of it?s models. Again this had been done in the first half of the 1800?s. Artist endorsement models like the Les Paul, Stevie Ray Vaughn, and Chet Atkins model?s, which were of huge success had already been thought of and done like the Luigi Legnani model by Staufer in 1820. .uaadadd4023b9986c324d49f4f76a0f5d , .uaadadd4023b9986c324d49f4f76a0f5d .postImageUrl , .uaadadd4023b9986c324d49f4f76a0f5d .centered-text-area { min-height: 80px; position: relative; } .uaadadd4023b9986c324d49f4f76a0f5d , .uaadadd4023b9986c324d49f4f76a0f5d:hover , .uaadadd4023b9986c324d49f4f76a0f5d:visited , .uaadadd4023b9986c324d49f4f76a0f5d:active { border:0!important; } .uaadadd4023b9986c324d49f4f76a0f5d .clearfix:after { content: ""; display: table; clear: both; } .uaadadd4023b9986c324d49f4f76a0f5d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uaadadd4023b9986c324d49f4f76a0f5d:active , .uaadadd4023b9986c324d49f4f76a0f5d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uaadadd4023b9986c324d49f4f76a0f5d .centered-text-area { width: 100%; position: relative ; } .uaadadd4023b9986c324d49f4f76a0f5d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uaadadd4023b9986c324d49f4f76a0f5d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uaadadd4023b9986c324d49f4f76a0f5d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uaadadd4023b9986c324d49f4f76a0f5d:hover .ctaButton { background-color: #34495E!important; } .uaadadd4023b9986c324d49f4f76a0f5d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uaadadd4023b9986c324d49f4f76a0f5d .uaadadd4023b9986c324d49f4f76a0f5d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uaadadd4023b9986c324d49f4f76a0f5d:after { content: ""; display: block; clear: both; } READ: Alexander the Great EssayIn the early 20th century guitars began to develop into what we know today. In 1903 the first Gibson catalog assured that instruments would be made of woods with the most durable, elastic and sonorous qualities such as maple, mahogany, vermilion, and suitable woods. They settled on maple but only the high-end mandolins were made of maple. It wasn?t until the mid-to-late1920?s, when they finally began to make them with maple wood. During the early 1900?s Gibson and a company out of Chicago, the Larson brothers were the only ones whose instruments were built for steel strings. The others were still made for gut. From the 1850?s to the 1920?s , a vari ety of new guitar designs surfaced, some were outlandish and some were ideas whose time would not arrive until decades later like the Gibson carved top guitar and the Larson Brothers steel-stringed flat top which were both turn-of-the-century innovations. The guitar rested on an evolutionary plateau from the 1850?s into the 1920?s, at least in part to the perfection of C.F Martin?s design. This was partly because the guitar was secondary instrument, and was not 5subject to the competition like the banjo or mandolin. The closest the guitar came to challenging them was in Hawaiian music from 1915 into the 1920?s. But in the 1920?s a demand for greater volume began to revolutionize the banjo and continued to be the strongest driving force for new fretted instrument design for the next three decades. At the same time two new innovations in related fields were changing the musical instrument dramatically. The first advance the phonograph, actually dates back to the late 1800?s, but did not gather full force until after World War I. Recordings made all kinds of music available to people who had no access to any other music except for local and touring bands. The second advance was the radio. From 1920 to 1925 the two were in heated competition, with radio forbidding it?s artists to make records and vice versa. The music industry began and many different styles became popular, such as popular music from Broadway and ?Tin Pan Alley? in New York. Such styles as ?race? or ?blues?, and early jazz later revived as ?Dixieland?, and country music gained footholds in the music marketplace. In the 1920?s t he guitar began to emerge as the common denominator- the most versatile and portable instrument, best able to fill a role in an ensemble or accompany a solo performance. Players with different styles on every type of music appeared, among them Eddie Lang in jazz, Lonnie Johnson in blues and Jimmie Rodgers and Maybelle Carter in country. 6The 1930?s would be the most important decade in the history of the guitar, with more successful innovations than any other period of time. The Impending rise was signaled by the appearance of the first tenor guitars. Just as the tenor banjo, or mandolin-banjo as it was called earlier, owed part of its initial popularity to the ease with which a mandolin player could switch to it. It offered a shortcut for the tenor banjo players to switch to the increasingly popular guitar. Popular music of the 1920?s was becoming louder and louder. The invention of the electronic amplification raised the volume of radios and record players. The little parlor guitar from the previous century just could not cut it in the popular music of the day. In 1928 Andres Segovia first performed in the United Stated, turning the world of classical and semi-classical music on its ear. He brought a practically new style of music. As with many later guitar stars, Segovia had a guitar as influential as the music he played on it. It was made in Spain. in 1850 when C.F Martin was perfecting his x-bracing pattern and developing the American flat top guitar, Antonio de Torres in Spain was perfecting fan bracing and other designs that would characterize the modern classical guitar. The muted resonance of a typical American parlor guitar was no match for the hardy, robust sound of Segovia?s guitar. The new guitar left the American parlor guitar with no protection from the onslaught of new de signs. .u93979fc6c7fabc6cf81fe9f1cd002563 , .u93979fc6c7fabc6cf81fe9f1cd002563 .postImageUrl , .u93979fc6c7fabc6cf81fe9f1cd002563 .centered-text-area { min-height: 80px; position: relative; } .u93979fc6c7fabc6cf81fe9f1cd002563 , .u93979fc6c7fabc6cf81fe9f1cd002563:hover , .u93979fc6c7fabc6cf81fe9f1cd002563:visited , .u93979fc6c7fabc6cf81fe9f1cd002563:active { border:0!important; } .u93979fc6c7fabc6cf81fe9f1cd002563 .clearfix:after { content: ""; display: table; clear: both; } .u93979fc6c7fabc6cf81fe9f1cd002563 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u93979fc6c7fabc6cf81fe9f1cd002563:active , .u93979fc6c7fabc6cf81fe9f1cd002563:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u93979fc6c7fabc6cf81fe9f1cd002563 .centered-text-area { width: 100%; position: relative ; } .u93979fc6c7fabc6cf81fe9f1cd002563 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u93979fc6c7fabc6cf81fe9f1cd002563 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u93979fc6c7fabc6cf81fe9f1cd002563 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u93979fc6c7fabc6cf81fe9f1cd002563:hover .ctaButton { background-color: #34495E!important; } .u93979fc6c7fabc6cf81fe9f1cd002563 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u93979fc6c7fabc6cf81fe9f1cd002563 .u93979fc6c7fabc6cf81fe9f1cd002563-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u93979fc6c7fabc6cf81fe9f1cd002563:after { content: ""; display: block; clear: both; } READ: Drug Abuse Essay7The importance of volume cannot be overstated. The quest for a louder guitar would be the driving force behind all the innovations of the 1920?s and 30?s: the resonator guitars of National and Dobro, Martins dreadnought-sise flat tops, and Gibsons ?advanced? wider archtops and large bodied flat tops. When the limits of the acoustic guitar were reached the quest for volume would spark the invention and evolution of the electric guitar. Although the experimentation on the acoustic guitars continues, the standard acoustic guitars of today were all well developed by the end of the 1930?s. The sign of the electric guitar was in the 1930?s. People such as Les Paul and Eddie Durham were experimenting with the actual products. Durham carved out the inside of an acoustic guitar and put a resonator that he had cut out of a tin pan and placed it inside the guitar. He found that when he struck the strings the sound was greatly increased. By 1932 the Embryonic Rickenbacker company persuaded several of its acquaintance publicize their new lap, steel electric guitar. Eddie Durhams ?Hitting The Bottle? played on this instrument was cited as the first amplified guitar on record. By 1936 he was using a guitar with an electric pickup and had tried converting radio and phonograph amps. That same year the most reputable guitar company, Gibson, would introduce the ES150. Although it was almost identical to the existing L50 acoustic, the presence of an integral bar pickup close to the fingerboard meant this 8guitar was evolutionary. This Gibson model made the electric guitar acceptable. Pickup technology was primitive, Rickenbacker?s pickup was of a horseshoe design, where-by the magnets actually surrounded the strings. Walter Fuller and Gibson combined and designed a more practical pickup using two solid nickel magnets below the strings and a one piece steel bar was surrounded by the pickup coil. This directed the magnetic field toward the strings. After a few years a man by the name of Leo Fender showed up on the scene and improved the electric guitar. His improvements greatly increased its acceptance and popularity with both the musicians and listeners. In 1950 the Fender Company introduced the broadcaster, shortly after to become the telecaster. It pioneered the latest design of bolt on neck and a solid body, electric design. This began a new type of music called Rock and Roll. And so the birth of the electric guitar changed music, but what the people didn?t know is that it would only get better. In 1954,in addition to the telecaster, which was still being produ ced and is still being produced, Fender introduced the most copied body style of the guitar ever. The introduction to the stratocaster brought forth some of the greatest guitarists ever known. It featured the first double cut away, making it easier to reach all of the high strings and also had a third pickup added to it. Then in 1960, one man came along and changed the sound of the guitar forever, Jimmi Hendrix. With his 9explosive riffs and incredible volume he turned the guitar world upsidedown. He began experimenting with ideas to get his guitar to make different sounds and came up with the infamous fuzz face and wah wah pedals which he used to make the guitar almost speak to the audience. Many other legendary guitarists made a name for their selfs with this guitar such as Stevie Ray Vaughn, and Eddie Van Halen, all with similar but greatly different styles of playing. The last major invention of the electric guitar was in 1964 when Rickenbacker introduced the first twelve string electric guitar. From the beginning of its existence to the present day the guitar has taken on more forms and changes than any other instrument to date. Changing in size, shape, material and every other way imaginable. But one thing that hasn?t changed is the impact of a well played guitar riff on ones attitude and emotions. American History

Sample Reflective Essays

Sample Reflective EssaysIf you are seeking a sample reflective essay on writing, then you have come to the right place. This article will serve as a guide to writing your own reflective essays. It will also serve as a place for you to find that next great idea.You should not give up on writing an original essay. Writing in the first person, will help you better express yourself and connect with others. However, to do this, you should first write your own reflective essay on writing to learn about the process of writing a reflective essay.A sample reflective essay on writing can be found by searching for them online. There are a variety of different samples to choose from. There are some sample essays that are based on real situations that people have faced in their lives. You can also use some sample essays that are based on real life situations that were fictionalized. The use of metaphor and simile are two ways in which you can get a better idea of how a reflective essay is to be w ritten.When you are researching sample essays, it is a good idea to read several samples to get a good idea of how each of them is written. Reading several different samples can help you decide which one is best for you. You will also be able to determine what type of theme you want to use in your own reflective essay on writing.Once you have a good idea of how you want to write an original essay, you should then write your own reflective essay on writing. The time frame that you should write your own original essay on writing will depend on the length of the essay. In order to get the best results from your own original essay on writing, you should write your essay as soon as possible after you have decided on the topic.Whenyou write your original essay on writing, it is important to make sure that you are clear and concise in your message. You will want to focus on the main points that you want to convey. However, you should be sure to add some humor into your essay to help make t he message that much more impactful. Having humor added to a reflective essay on writing will help the reader to become more engrossed in the piece.You should also make sure that you write your original essay on writing in a manner that makes it easy for readers to understand. When you take this advice, you will be able to express yourself in a way that is easy for others to understand. Writing in a way that is easy for readers to understand will help to ensure that your message becomes more effective.Finally, when you write your original essay on writing, you should ensure that you are respectful of those that are not familiar with writing. Everyone should be treated equally in your original essay on writing. You should also ensure that you are not making any unkind remarks toward anyone. When you follow these tips, you will be able to write a reflective essay on writing that will be useful for the long term.

Leonardo Bruni essays

Leonardo Bruni essays Leonardo Bruni was born circa 1369-70 in Arezzo, Italy, which was the same place Petrach was born years before. Sometimes referred to as Aretino because of the city in which he was born, Leonardo went on to become almost as much a figure in the humanistic movement as Petrarch. Griffiths states that part of the reason that Bruni was so successful is because of his duel focus in scholarship of the mastery of classical literature and the study of the classical languages (9). Griffiths uses a term civic humanism (15) to describe a part of Bruni. This is the side of Bruni that was dedicated to public service. In 1405, he became the Apostolic secretary of Pope Innocent VII, and he held this position through two more Popes (Gregory XII and Alexander V). In 1410 he was elected Chancellor of the Republic of Florence, but found he preferred his secretarial duties. So he resigned and reclaimed his old position under yet another Pope, John XXIII. In 1415 Bruni returned to Florence for good. He was re-elected Chancellor in 1427 and held the position until his death (Harvard). It was during this stay that Leonardo wrote the work he is now most famous for: Historiariaum Florentinarum Populi Libri XII (Twelve books of Histories of the Florentine People). This book is a history of Florence and is written in Latin. Bruni was also the author of biographies of Dante and Petrarch, written in Italian, and Cicero and Aristotle, written in Latin (New Advent). Part of the reason that Bruni is famous today is that he was a great translator. Due to his studies, Leonardo was subjected to a great deal of writings in the classical language. He realized that not all people were so fortunate, and so decided to translate them: Plato, Plutarch, Xenophon, and others. Bruni developed the current style of translation called ad sententiam, according to the sense (Griffiths 10). This is not word-for-word translation, rather...

Attempt to Understand Memory Essay Example | Topics and Well Written Essays - 1250 words

Attempt to Understand Memory - Essay Example Indicating a situation in which memories ultimately form the foundation and walls of the human brain/the human experience. By utilizing memory as a means of categorizing information and understanding the way in which personal experience has contributed to life, the reader can come to a more informed interpretation of the importance that memories have in the day to day decision that an individual makes. Further, world view, personality, socialization, and levels of interpretation are all contingent upon memory and the personal experience as well. Although a great deal of scholarship has been concentric upon discussing socialization means through which norms develop, it will be the express intent of this brief analysis to discuss the importance and power that individual memory can have, and importance and power that this author will argue prompt all factors of socialization and societal mores. Accordingly, the discussion that will take place within this brief analysis will be contingen t upon pages 166-167 of the text; a piece entitled â€Å"All the Little Flowers†. Firstly, it must be understood that socialization, a rubric and metric that individuals have long sought to utilize as a means of understanding human interaction, is ultimately only the product of a string of different memories. In such a way, this socialization is not a solid construct but a fluid one that differs greatly from one individual to another. For instance, even though a shared and collective level of understanding might be had with regards to a specific instance or occurrence, the unique and differentiated memories that are associated with this occurrence will diverge greatly if one compares one set of memories that an individual relates to another set of memories that another person shares.

I don't have an exact topic right now Essay Example | Topics and Well Written Essays - 750 words

I don't have an exact topic right now - Essay Example He even mentions one of his top ranking songs if the scale for each has to be chosen. But in as much as this ranking may be, he owes Thunder Road the attention it depicts by the more number of times he listens to it. In his explanation as to the reverence the song is accorded, he insists that the song is more than just mere experiences they yield (Hornby, 16). Will, as he is giving the account of his work on the Lyrical Ballads, especially when he points out to the experience in â€Å"Dead weight† is categorically to mention that in as much as he is going to remark various subjects of life; music can be such captivating and eventually make one wholly submerged into the whole process. This he points out when he says, â€Å"The twins looked like they’d been concocted in some secret lab buried deep in the vanilla heart of America† (Will, 73). Will confirms the sentiments, exemplifying this to Hornby’s account in the context of Thunder Road; music and its powe r to captivate is dictated by the aura with which it is presented. When this treatment is given to a piece of literature, a distinction must emanate from the individual items when subjected to comparisons. These judgments are based on many factors other than just emotions. They have under the scope, spatial scrutiny, time connections, just to mention but a few. Songs can vary in effect and outcome and this basically stems from an artiste’s structuring which in effect influences the listener’s preference for them. Will accounts this in one of the scenarios when he writes, â€Å"†¦one of the guys ran out of the songs and told me they were cutting the sound†¦. It started to happen: all thought and conscious effort dropped away†¦. After three more songs, I could feel myself rising.† (Will, 85). These genres are especially given a variety approach so that they are likable by a wide range of age groups; often brought about by the